“Everything you look at can become a fairy tale and you can get a story from everything you touch.”
H. C. Andersen
This movie is about a spinner of tales, a dreamer of dreams. In order to appreciate the delightful, colorful, smorgasbord that awaits, one must remember that this movie makes no claim in being an accurate biographical account of Andersen’s life. In fact, the title card says it is a fairy tale about the author himself.
Danny Kaye plays the title character. He is lovable, innocent, and optimistic. He is also sensitive and dreamy-eyed and this is where the plot of the film comes in.
Hans disrupts the town he lives in by distracting the children from their schoolwork with his stories. Kicked out of town, he leaves for the grand city of Copenhagen only to fall for Doro, a beautiful ballerina (Zizi Jeanmaire in her film debut) who is wed to her demanding choreographer (Farley Granger). Where and when will outsider Hans find his place in the world?
I love how this film clearly illustrates the impact Hans’s stories have on those around him. To the children he imparts joy, adding more to life than just schoolwork in “The Emperor’s New Clothes.” To some he gives comfort as in “The Ugly Duckling” and “Thumbelina.” When Hans writes “The Little Mermaid” ballet for Doro it becomes a hit for the ballet company and a turning point in their relationship.
For me this movie is like a warm hug. I grew up watching it and singing along to the many delightful songs. Its beauty comes from the simplicity in the story line and Hans’s amiable nature wonderfully displayed by Danny Kaye. The gorgeous Technicolor, stunning direction by Charles Vidor, and cinematography by Harry Stradling doesn’t hurt either 😉 The Little Mermaid Ballet is one of my favorite dance sequences in the movies. The staging is unique, creative, and the choreography beautifully suggests a mermaid’s underwater movements.
Frank Loesser’s memorable score brilliantly inhabit Hans’s world adding to the dreamy quality that blurs reality and fantasy. Composer-lyricist Loesser, whose star was ascending in the music world, was Goldwyn’s choice to write the songs for the film. In 1949, he won the Oscar for “Baby, Its Cold Outside” and the following year he had tremendous success with Guys and Dolls on Broadway. When Goldwyn bought the film rights for the show, he also signed Loesser for Hans Christian Andersen.
In a few ways this movie reminds me of The Red Shoes (1948). The tale of “The Red Shoes” was written by Andersen. Both movies were filmed in Technicolor, contain gorgeous ballet sequences, and share similar themes. If you enjoy The Red Shoes (and who doesn’t?) you might enjoy Hans Christian Andersen as well.
Lastly, I would recommend this movie even for those who aren’t fans of Danny Kaye’s comedic style. The way he interacts with children is a joy to behold and the drama in the script allows him to show more range as an actor, giving one a better picture of the man of many talents.
This movie is perfect for a rainy day, and for those inevitable days when you and I feel lower than low. It will perk you right up and give you something to smile about. Who could ask for more than that?
This post is my contribution to The Classic Literature on Film Blogathon hosted by Paul of Silver Screen Classics. My thanks go out to Paul for letting me participate in this event. Click here, here, and here to read the rest of the entries.
Thanks for reading and for visiting The Classic Movie Muse!