The Gunfighter (1950): Exploring the Unfortunate Price of Infamy

Jimmy Ringo (Gregory Peck) is the fastest gun in the West. His notoriety precedes him. And at age 35, he is tired of running.

Running from unfounded accusations of murder, running from the young upstarts seeking to outdraw him and gain fame for themselves, running from the desolate life he has created.

When Ringo rides into Cayenne, his presence causes a stir amongst the anxious townspeople. But Ringo isn’t looking for trouble. After eight long years, all he wants is to reconcile with his wife, look into his son’s eyes for the first time, and retire his gun by settling down with his family in a new location.

But with three brothers seeking revenge and a cocky sharpshooter on his trail, the clock is ticking and Ringo’s future hangs in the balance.

The Gunfighter is unlike any other movie I’ve ever seen. Incredibly moving and effective without veering into preachy territory, it is a thoughtful and solemn portrait of a man living with the nightmarish repercussions of his decisions.

Gregory Peck as Ringo

“It’s a fine life, ain’t it? Just trying to stay alive. Not really living. Not enjoying anything. Not getting anywhere. Just trying to keep from getting killed.”

Jimmy Ringo

Gregory Peck strikes the right balance between world weary and fearsome in the title role, wisely utilizing his physicality to suggest the weight he bears on his burdened shoulders. As a man always looking over his shoulder unable to rest, Peck tenses his frame and clenches his hands to great effect. When challenged, a confident swagger cloaks his outward despair.

Most wonderfully, Peck imbues his character with humanity by giving Ringo an unexpected sense of humor. Glimmers of warmth and tenderness also peek through his toughened exterior in select scenes.

The Supporting Cast

The townspeople of Cayenne are brought to life by a terrific supporting cast: Millard Mitchell is a highlight as the diplomatic sheriff; Helen Westcott plays Ringo’s reticent wife with dignified reserve. Skip Homeier hits the right notes of defiance as the brash young sharpshooter. Karl Marlden makes one of his first credited screen appearances as an opportunistic barkeeper.

Some of the film’s lighter moments are provided by Ellen Corby and Verna Felton as flustered old biddies demanding Ringo get his dues.

The Cinematography

The camera work by three time Oscar winner Arthur Miller (How Green Was My Valley) is appropriately gloomy, reflecting the isolation of this social outcast and the claustrophobia of Cayenne while capturing the feeling of rising tension present in the script.

Trivia

  • Gregory Peck named The Gunfighter as a favorite film from his filmography.
  • At the time of production Peck threw himself into researching the period and decided Ringo should have a mustache. According to Wikipedia, when the film was not largely successful, 20th Century Fox blamed the mustachioed Peck for their losses.
  • Veteran producer, director, actor, Roger Corman started his legendary career in films at Fox working in the mailroom and eventually became a story reader. Corman claims to have added story elements to The Gunfighter and because he was particularly fond of it, urged Fox to put the film into production. When his contributions went uncredited, Corman left the studio, deciding to pursue films independently.

Closing Thoughts

One of the first psychologically complex westerns of the 1950’s alongside Anthony Mann’s Winchester ’73, The Gunfighter explores deep and timeless themes in a sensitive manner. With an excellent Oscar nominated script, tight pacing, and the seamless direction of Henry King, I’d recommend this character drama even to non-fans of the western.

The Gunfighter is not to be missed.

This post is my contribution to The Corman-Verse Blogathon hosted by Realweedgiemidget Reviews and Cinematic Catharsis. Thanks for allowing me to participate! Click here for Day 1, here for Day 2, and here for Day 3 to indulge in the other entries.

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18 Comments

  1. One of the first, if not the first tale of the weary gunman looking to leave his cruel, harsh, and hard past behind him, but sadly being famous and notorious has its price, and that is what won’t leave him be. There’d be plenty of others in the coming years that did the story justice, but none as effective as The Gunfighter. I thoroughly enjoy this one, having just the right balance of entertainment and character complexity. A fine write up as always Muse.

    1. theclassicmoviemuse

      Thank you for the kind compliment, Moviefanman! ❤ You’re right on the money on why this one endures re: this film has “just the right balance of entertainment and character complexity.”

      I am no authority on westerns, but your knowledge is impressive. It’s neat to hear that The Gunfighter ranks so highly in your estimation of the weary gunman tale.

      I was struck by it. The complexity, yet simplicity. The stark reality versus the glamorous mythic heroes we often associate with the genre. A thought provoking and terrific movie!

  2. Lovely tribute to this film, and havent seen this character but feel that I do thanks to your vivid description and great writng. Thanks for joining the blogathon Ari.

    1. theclassicmoviemuse

      Thank you for the lovely compliment, Gill, and for being a fantastic hostess! ❤ I enjoyed discovering this excellent film thanks to your blogathon.

      1. It was beautifully vivid, and I am touched that you brought it to our blogathon. Hope you can make the Bond Girl one.. you have permission from us both to be late or early.. but it’s your call.

  3. […] 2004-15… The Classic Movie Muse takes us to when Corman worked with Gregory Peck in The Gunfighter (1950)… and do tune in HERE for posts on Day 1 and HERE for Day 2 and remember to tune in […]

  4. I never realized there was a Roger Corman connection to this film. I can imagine that Corman’s experience in these early days laid the groundwork for his fierce independence and desire for control over his movies. I love Gregory Peck in The Bravados, but I’m not sure if I’ve seen this one (at any rate it’s been a long time). This is definitely one to keep an eye out for!

    1. theclassicmoviemuse

      It’s funny, I didn’t realize the Corman connection either until researching my choices for the blogathon. As they say, it’s a small world! Yes, I can imagine Corman’s desire to take the reigns was very strong after being snubbed on this movie.

      I see that Henry King also directed The Bravados so I will be on the lookout for it! Thank you for your lovely comment, Brian!

  5. Excellent review of one of my favorite movies! I will compare it to High Noon (1952) (interestingly, Peck turned it down), another brilliantly economical western. BTW, wasn’t 1950 a great year for westerns? Gunfighter, Winchester ’73, Broken Arrow, Wagon Master, The Furies, Stars in My Crown, etc., I love them all!

    1. theclassicmoviemuse

      Thank you very much, Eric! Another title to attest to your stellar taste in movies 🙂 Wow, you make a great point about 1950 as a banner year for westerns. I’ve only seen one from your list, so, clearly I have some teriffic viewing ahead. Thanks for visiting and sharing your thoughts!

  6. I have a vague memory of having seen this as a teen, but I really don’t remember anything except… Gregory Peck had a mustache. Clearly, it’s one I should see again. So glad you reminded me of it!

    1. theclassicmoviemuse

      He sure did! Hope you enjoy the show, Rachel 🙂

  7. Another one for the watchlist! And how cool is it that Corman and Peck got to work together. 🙂

    1. theclassicmoviemuse

      It is an excellent film! And Corman’s story contributions definitely played a part in how effective it is. Thank you for reading, Rebecca! 🙂 Enjoy the film!

  8. Am a bit embarrassed to say I’ve not heard of this film, but it looks really, really good. Some excellent viewing ahead, right?

    1. theclassicmoviemuse

      Oh, yes! Hope you enjoy the film, Ruth 🙂

  9. Millard Mitchell should have gotten an Oscar supporting actor nomination, at least. Hits the right note, every line, every move. I sense it’s a good portrait of a “real” Marshall in the old west, especially a rather world-weary one with a past.

    1. theclassicmoviemuse

      Hi Dennis! Thanks so much for sharing your thoughtful insights on Mitchell’s character and performance. I agree with you – we don’t often see a “fully dimensional marshall” and he was pitch perfect in his portrayal. Next time I give this a watch I will pay even more attention to him, thanks to you.

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