You know when something just clicks with you? And the incredible satisfaction that comes with it. That’s how I feel about the music of Bernard Herrmann.
Recently, I’ve noticed that Herrmann has a special quality that sets him apart from his contemporaries. And I’ve gone on a quest to find out what that is.
I’m still completing that task as I’m about half way through his biography by Steven C. Smith which is fabulous. If you’re interested in taking a deep dive into the man, I highly recommend it!
One of my favorite features on the blog is Classic Movie Travels where I get up close and personal with classic movies in the form of visits to museums, landmarks, star’s birthplaces, etc.
Today, I’m retracing my steps and taking you along with me to New York to the final resting place of this incredible and influential composer.
Beth David Cemetery
About a thirty minute drive from New York City where Herrmann was born, lies the Beth David Cemetery in Elmont, New York.
The town holds no glamour for its most celebrated patron. On a busy road bustling with public transportation and businesses lining the sidewalks, pedestrians scurry about probably having no idea of the legend beyond its gates.
Upon entering Beth David Cemetery it was not too difficult to find the Herrmann family plot. According to The Bernard Herrmann Society, Section BB2 and the Old Konstantine Benevolent Society can easily be found at the intersection of Beth Israel and Washington Avenues (the small roads within the cemetery).
Abraham Herrmann
With his huge tombstone, I was quickly able to find the patriarch of the family, Abraham Herrmann. But then the search was on. You see, this was the most packed cemetery I’ve ever seen, making the search for the composer a lengthy one.
Ida Herrmann
Just when I was about to quit, I found Ida, the matriach, and directly across from her was Bernard.
Note: For those who are wondering, as I did, the PC sticker on the stones signify “perpetual care” for the groundskeepers.
Bernard Herrmann
The moment I saw his headstone was a sobering one. Here was one of my idols – the man who wrote the music for some of my favorite movies, those which have formed me into the fan and person I am today.
Fully immersing myself in the moment, I began thinking about the music he’s written and what it means to me. I silently thanked him for staying true to himself and writing the music that was on his heart instead of adhering to the tried and true methods of film composing or the fads that were calling with their siren song.
When I approached Bernard’s tombstone from the left side, something caught my eye. Beside the bush directly in front of his grave, an admirer left a copy of the soundtrack from Vertigo!
In that moment, I had goosebumps all over. The fact that someone was so touched by his music and left his masterwork in appreciation was a surreal experience.
Immediately, I wished I had brought a token of my appreciation, but then my husband so wisely said, “I don’t think you could have done better than that,” as he pointed to the Vertigo album. And you know what? I don’t think I could have either.
I was surprised and a little sad that Herrmann had been laid to rest in such an unassuming location.
In my mind, he should be alongside the great talents of yesteryear in the big, fancy celebrity cemeteries of California; but for a man who hated Hollywood, though it gave him great success, I’m sure this is the way he would have wanted it, to be beside his family in his home state of New York.
I will be forever grateful to Herrmann for his individualism, chutzpah, sensitivity, and beautiful gift that he continually gives to our world.
His music always feels “real,” not manufactured (I don’t believe he ever wrote a note he did not feel), truly encompassing the essence of humanity in all its complexity, fragility, horror, and beauty.
Bernard Herrmann
June 29, 1911 – December 24, 1975
This post is my contribution to The Bernard Herrmann Blogathon hosted by myself! For more musical treats, head on over HERE and read the rest of the contributions celebrating this great composer.
Ready for another adventure? Here’s more of my Classic Movie Travels!
On the Road with “I Love Lucy”: My Trip to Jamestown, New York (Part 1)
- Desilu Studios
- The Lucy Desi Museum
- Lucy Desi Murals
On the Road with “I Love Lucy”: My Trip to Jamestown, NY (Part 2)
- Lucy’s Birthplace
- Lucy’s Childhood Home
- Lucille Ball Memorial Park & Statues
- Lucy’s Final Resting Place
Grace Kelly Beach: Her Secret Hideaway in Newport, Rhode Island
For more Bernard Herrmann check out my review of Prince of Players (1955), a hidden gem featuring a solid cast and terrific score from the master!
What a lovely tribute! How special that you were able to visit his resting place.
Thank you, Rachel! It was an experience I’ll never forget.
I am impressed and moved by your wonderful article sharing your admiration for Bernard Herrmann with such a lovely and personal journey.
Paddy, you’ve made my weekend with your beautiful comment! I’m so glad to be able to share my journey with you. It makes it all the more special. Thank you! ❤
I LOVE that someone left a Vertigo soundtrack near his tombstone. That is awesome.
Thanks for taking us along with you on this visit. Your photos and descriptions make me feel like I was there, too. 🙂
Ruth, isn’t that the coolest thing?!
Thanks for coming along! I’m so glad you enjoyed your visit 🙂
Lovely tribute to the master! By the way, he’s my all-time favorite composer — in my opinion, only John Williams has come close to Herrmann’s brilliance.
Thank you, Eric! Wonderful choice. Do you have a favorite Herrmann score? Asking for one is impossible, I know 😉
Williams is amazing as well! I think my favorite score of his is Hook. That opening gets me every time 🙂
“Do you have a favorite Herrmann score?”
Vertigo (1958), specifically “Scene D’Amour” (possibly the most hauntingly beautiful piece of music I’ve ever heard).
And… (in no particular order)
Marnie (1964)
Psycho (1960)
North by Northwest (1959)
The Day the Earth Stood Still (1951)
The Trouble with Harry (1955)
The 7th Voyage of Sinbad (1958)
Obsession (1976)
Cape Fear (1962)
Sisters (1973)
Fabulous choices, all!
You’ve described Scene D’Amour perfectly, Eric 🙂
In addition to those I’ve mentioned elsewhere, I was also impressed with Mysterious Island (1961) and On Dangerous Ground (1951). The theme for Ida Lupino’s character is especially lovely.
Oh, yes, Mysterious Island! What a great score! BTW, we need to talk more about Herrmann’s relationship with Ray Harryhausen (in my opinion, a glorious collaboration!) 🙂
Great point, Eric! 🙂 What stands out to me is how the fantasy realms of Harryhausen gave Herrmann the prime conditions to really show his knack with orchestration and choosing instruments to evoke the story’s needs for characters, setting, and mood.
Caftan Woman pointed out in her review of Jason and the Argonauts that Herrmann and Harryhausen shared a birthday. How uncanny and cool is that?!
Yes, I had no idea Herrmann and Harryhausen shared a birthday! Life is filled with strange coincidences!
Wow. I’m almost speechless. What an adventure.
I totally know what you mean about when something clicks with you. When it comes to a connection between people, I like to use a phrase from Anne of Green Gables – “kindred spirits”. And I really believe a version of that idea applies to how we relate to artists (even those we never met) whose work touches us in a special way. I’m so glad you had an experience that brought you closer to one of your artistic kindred spirits, and I appreciate the quotes as well. <3 I feel like I know Bernard Hermann a little better now, too. Thank you for sharing! 🙂
Absolutely, I love that phrase, Jillian! So glad you enjoyed the quotes. Herrmann was full of them, which makes his music all the more powerful (I think) when you know his ideology…So glad to be able to share the adventure with you! Thank you for reading and for your lovely comment 🙂 ❤